11/13/2023 0 Comments Eiffle 65 im blueIt is also worth noting just how much Jeffrey Jey looks like Eastender's Beppe Di Marco. The video begins with the members of Eiffel 65's faces screened on televisions, headed up at the front by Jeffrey Jey as he introduces the titular "little guy." What the televisions themselves mean is, of course, open to interpretation, but it's doesn't seem unreasonable to assume they are in some way representative of just how encased Eiffel 65 feel by the attention of the media. Note that the blue man has a girlfriend, yet now, possibly due to his own sensibilities, she too is blue.īeyond the text, it is also worth considering the official video for Eiffel 65's "Blue (Da Be Dee)." The nature of the blue window is particularly unsettling for, as we know, windows are a transparent panel onto the outside world, perhaps suggesting that if his window is blue, then so is his outlook itself. His house, his shelter, is now completely blue as is its single window. Notice how far the little blue man is projecting the over-whelming blueness of his existence onto all aspects of his life. The world, cold, frigid and icy blue, freezing him inside and outside.īlue are the streets and all the trees are too. Note that "everything he sees" is blue, as if the world itself, not his soul, is polluted. If we take the word blue to mean "sad" or "down," then the opening verse in fact sets out an all-consuming depression incurred by the oppressive suffocation of modern existence. While yes, the video does feature actual little blue men (more on that later), it's possible here to read far more into Jey's words. It's important, from the offset, to understand the multi-faceted meanings behind the word "blue." It would be a mistake to think that Eiffel 65's lead vocalist Jeffrey Jey is refering solely to the color blue in this instance. Is just blue like him inside and outside." It wouldn’t surprise me if the next generation of historians discovers that this was actually a documentary of the band’s early success, captured with primitive film cameras and devoid of digital manipulation.Let's start by unpacking the lyrics of "Blue (Da Ba Dee)," beginning with opening verse.Ībout a little guy that lives in a blue world,Īnd all day and all night and everything he sees, No spoiler alert here but let’s just say the last 30 seconds of the video have done more to cement my trust in intergalactic cooperation than anything George Lucas ever did. But a quick glance back at the planet generates a severe case of Stockholm syndrome in the band members’ bleached guido souls: The keyboardists fight their way to the stage and recapture their frontman, escaping the throng and setting coordinates back to Italy. By this time, Jey has been beamed down to a stage and made to perform for a sea (get it?) of obsessed extraterrestrial fans, bobbing and weaving their webbed hands in unison to their favorite Terran anthem. Unclear of the captors’ intentions, keyboardists Maurizio Lobina and Gabry Ponte board their own spaceship and give chase, eventually docking with their craft and using a series of Street Fighter II-derived missile and extended-limb attacks to fight off waves of foot soldiers (guess what color they are!!?). Three stunningly goateed Italians use the opening stanza to introduce themselves to the world, rotating incoherently through space on robot-arm-mounted cathode ray tubes, before Jey is beamed up by a duo of body snatchers, his shuffling tearaways and bucket hat frozen mid-stride in the hull of a ship. But I was able to look past the poorly rendered polygons on my fourth viewing and discover a fish-out-of-water tale that Tim Burton would be proud to direct. I don’t know if it’s just me but I was so transfixed by the rough-hewn scenery of the “Blue” video that I had no idea what the fuck was going on the first three times I watched it. Three stunningly goateed Italians use the opening stanza to introduce themselves to the world
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